OP
machine_punk
Well-known member
Old Man
Well, one of the disappointing things which comes with getting older is the loss of vision for close up work. As someone who likes to work with his hands, it is particularly annoying.
I found that having enough light helps a lot. I got the daylight bulbs, and plenty of them, for my studio/workshop...
View media item 20570
I installed a dental light over my bench, so I can put a LOT of light exactly where I need it for detailed work...
I have taken to carrying around a small, LED flashlight in my pocket, to help with reading small script. One of the most annoying things in the studio is trying to see the marks on the sheet metal, as I am trying to use the shear portion of my brake/roll/shear. There is a tan bar at in front of the blade, which holds the sheet metal in place, as you bring the blade down. It also does a tremendous job of blocking your vision, and any light, from the area around the blade. This is probably not a problem for a young guy, but with eyes that have reached 'bifocal age,' it makes it very difficult to cut accurately...
View media item 20569
I've pondered this problem for quite a while. I have plenty of general light in the studio, it just doesn't help with shearing sheet metal, which is the beginning of nearly every project I do. I've seen those LED strip lights on a lot of TV shows lately. They generally use them inside the wheel wells and under the car for special effects. It finally clicked for me that these lights would be IDEAL for my situation. I needed to get a long strip of light into a very confined space.
You know the lights I am talking about--they come strips of 16 feet (5 meters) and you can cut the strip every 3 lights, to get the length you need. There are several versions. For this project, I chose the cool white, single-color LED strip.
After looking at the 3-in-one sheet metal machine I have, I decided the best place to put the light strip was on the back of the hold-down bar (I am sure there is some official name for this, but it is the bar which descends just before the blade, to hold the sheet metal securely as you shear it). A few moments with a ratchet wrench and socket and I had the bar off. I hit it with red Scotchbrite pad and wiped it down with 99% isopropyl alcohol, to make sure the sticky-tape would, well, stick. Then, I held a sharpie to the edge of the piece and drew a straight line. Then, I cut the light strip to length. It already had wires soldered to one end, so I just used that end on this first project. I peeled off the backing on the double-sided tape and stuck it to the hold-down bar. I scuffed up the electrical adapter with a file and stuck the wires and the adapter to the bar with hot glue. I made sure to use hot glue on the sharp corners, to shield the wires from damage. Here are the lights, installed and ready to go...
And here is the bar, reinstalled on the machine and helping an old man see the marks on the sheet metal again...
Kev
Well, one of the disappointing things which comes with getting older is the loss of vision for close up work. As someone who likes to work with his hands, it is particularly annoying.
I found that having enough light helps a lot. I got the daylight bulbs, and plenty of them, for my studio/workshop...
View media item 20570
I installed a dental light over my bench, so I can put a LOT of light exactly where I need it for detailed work...
I have taken to carrying around a small, LED flashlight in my pocket, to help with reading small script. One of the most annoying things in the studio is trying to see the marks on the sheet metal, as I am trying to use the shear portion of my brake/roll/shear. There is a tan bar at in front of the blade, which holds the sheet metal in place, as you bring the blade down. It also does a tremendous job of blocking your vision, and any light, from the area around the blade. This is probably not a problem for a young guy, but with eyes that have reached 'bifocal age,' it makes it very difficult to cut accurately...
View media item 20569
I've pondered this problem for quite a while. I have plenty of general light in the studio, it just doesn't help with shearing sheet metal, which is the beginning of nearly every project I do. I've seen those LED strip lights on a lot of TV shows lately. They generally use them inside the wheel wells and under the car for special effects. It finally clicked for me that these lights would be IDEAL for my situation. I needed to get a long strip of light into a very confined space.
You know the lights I am talking about--they come strips of 16 feet (5 meters) and you can cut the strip every 3 lights, to get the length you need. There are several versions. For this project, I chose the cool white, single-color LED strip.
After looking at the 3-in-one sheet metal machine I have, I decided the best place to put the light strip was on the back of the hold-down bar (I am sure there is some official name for this, but it is the bar which descends just before the blade, to hold the sheet metal securely as you shear it). A few moments with a ratchet wrench and socket and I had the bar off. I hit it with red Scotchbrite pad and wiped it down with 99% isopropyl alcohol, to make sure the sticky-tape would, well, stick. Then, I held a sharpie to the edge of the piece and drew a straight line. Then, I cut the light strip to length. It already had wires soldered to one end, so I just used that end on this first project. I peeled off the backing on the double-sided tape and stuck it to the hold-down bar. I scuffed up the electrical adapter with a file and stuck the wires and the adapter to the bar with hot glue. I made sure to use hot glue on the sharp corners, to shield the wires from damage. Here are the lights, installed and ready to go...
And here is the bar, reinstalled on the machine and helping an old man see the marks on the sheet metal again...
Kev
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