Next I had a big job with Ducati.
Jobs of this sort of significance don't happen very often and since I'm under an NDA I can't actually tell you what I was doing but I can say that I was working with the Pikes Peak race team.
We shot two days in the studio and it was the first time I've shot with continuous lighting (at least on a large scale) and that was because we were also doing video on this project. I didn't shoot the video but I did the lighting for it. I can explain the set to you more in a few weeks but right now i can share this photo.
I really do enjoy being challenged and this was the nicest light I've yet worked up for a motorcycle. As you'll see eventually. I was just thrilled that the light I imagined and sketched out worked out perfectly.
Then we headed out to Maryhill Loop Road in Washington and spent two days shooting with the team. Maryhill was built as an experimental highway in 1911 and was not only the first paved road in Washington, but the first road to use stacked horseshoe curves to climb a hill with a very low grade. It's also awesome. The road was bypassed and then donated to a nearby museum which rents it out to people like us.
Again, I can't really show you much but I can share this shot of Codie:
From one discipline to the other. Controlled studio light to high speed action. It was as much fun as I've had on a shoot in years. Great team, great location and I tried new things that I've been working on and they all worked amazingly well. Massive success and I was just thrilled.
I then had about 18 hours to go visit my family on the coast where Judiaann was with the kids at a fancy beach house as an Instagram job. I got in at 1am Monday, hung out with the kids, shot some video for Judiaann, had lunch and then headed home to unpack and repack for a trip to NYC to do an Oprah shoot. While I haven't done any more to the YouTube I am taking on small video projects that are letting me get the hang of it.
Here's the link to the video - effort number 3: https://photos.smugmug.com/photos/i-mmk6hbb/0/f8c845ee/1920/i-mmk6hbb-1920.mp4
I shot that with the drone (obviously) and a GoPro and I'm guessing that the GoPro wasn't set to manual so that's why the video is choppy in the house. I have to lock the shutter to 1/48th or 1/120th depending. I'm starting to get the hang of it. I just love flying the drone. Love, love, love.
Back to the NYC studio where I shot still life, edited Ducati and also tried to edit that beach video. My laptop has been fine up until now but trying to edit 4k video just killed it. I've never run into something so computationally debilitating. It was beyond frustrating so I bought a new (used) iMac. So, you haven't gotten a single YouTube video but I'm now like $6-8k in the hole with this little video excursion.
I needed a new machine anyway. That's what I keep telling myself...
Okay, that's almost caught up.
Gregor