This starts to get a little subjective; and the situation is not helped by the fact that ESI apparently screwed up when pasting that chart into the spec sheet, and cut off at least the first digit of the Y-axis labels. But looking at the overall SHAPE of the curves, I stand by my assessment. Out to about 30-35 degrees off-axis, the output holds up pretty well; past that, it drops like a rock.
Bottom Line: It is still very much a "High Bay" fixture, which would NEED to be mounted as high as possible (probably smack up against the ceiling in the OP's case, since his ceilings aren't really all that high to start with). At the very least, that hampers placement flexibility.
Somewhat subjective... But There are some clues.
1: The High Bay fixtures often have the term High Bay in the cut sheet. The fixtures the OP linked to have the phrase "Standard Distribution" on the cut sheet (see attached).
2: The drop off rate on the High Bay is slightly faster and the overall intensity is much, much higher.
It's two factors intensity and pattern. Good optics that reduce wasteful side lighting does not make a light fixture a "High Bay".
For an example of bad optics look at low cost wrap lights, 200° light patterns that can only produce 70 to 120 lumens power sq ft at a 3' distance and are only 64% efficient.
The manf does confuse things a little with this statement "A Breakthrough Alternative to HID
High-Bay Systems"
To be sure, I graphed the outputs of the OP's light VS a HighBay from the same company.
Its subtle... But if you look closely there is a slight difference.
Candella VS Angle:
OP fixtures:
If you take the time to calculate out the light pattern drop off VS the fixture spacing, the drop off at the outer angles of one fixture, is taken up by the overlap light from the next.
Basically, we can skip the semantics of High Bay vs Standard and use the photmetric data to estimate the light pattern.
Bottom line?
Based on my calculations, his electrician and light supplier are recommending a fixture with an output pattern that is well matched for the height of his ceiling and fixture spacing.
As far as the ballast goes, standard industry practice is if it says UNV, expect 120 to 277 operation. Multi voltage ballast are almost always FCC 47CFR Part 18, Non Consumer. AKA... Commercial.
The upside is they have power factor correction.
As far as the OP fixtures go, they are commercial fixtures with commercial ballasts. On a special order, they might fit them with a consumer style, FCC Class B ballast. However, you might not be able to easily specify a higher ballast factor with a consumer grade ballast (You wont get quite as much light). Reading the data sheet, I'm pretty sure they are using a ballast factor of 1.2. A Standard consumer ballast will often have a factor of .85 or so.
I like the design of that series of lights. Other than the ballast issue, it looks like a good series of products. There are other light in that family that might be worth considering (slightly higher output).
Worth a call to ask about options.
I myself would go with the commercial grade ballasts. With an all metal building, radio reception is going to be challenging no matter what fixture you use. For my shop, I just stream music using a computer hooked up to the internet.