Interesting you should say that.
I love the silence, and he has mad skills, obviously. But restorations this good remind me why I favor preservation vs. restoration: the history of the piece is obliterated in the process. It quite literally looks brand new, and not in a time travel way. It may as well be a reproduction. I realize that very few of the parts he is making are actual reproductions, but that is the overall effect, for me. A curator in a museum would use a much lighter touch. I understand, his goals are different. I get it. And I'm not trying to kill the buzz here. It's clearly a subjective thing. Exactly the reason why they added a "Preserved Class" at the Nationals in Monterey. Some people appreciation seeing all the age on that old Stutz Bearcat rather than a Stutz Bearcat that artificially defies time. I actually his "BEFORE" pictures more than his "AFTER."