Coming right along... the contrast is nice . I didn't even notice the different tones during the previous post... crazy how different such a subtle difference is after the oil...
Agreed.
Do they make the Danish oil in light and dark variety . For some reason I feel like I saw that but it might have been the restorer .. thought if they did you could do some mad lab style mixing and create what you were envisioning ..
I haven't seen it in two colors for the product I'm using. Will probably try this out on some scrap:
because it dries without the yellow/amber tint that's associated with oil based urethanes. I did a lot of reading this weekend on the topic and it appears that a lot of the bad info out there is from the early stages of product development in the mid 90s.
Im wondering why you are only sanding to 180...
Also because it's just the bottom - no need to overwork oneself! See other comments below: I take most of my stuff into the four digit s...just makes it look and feel so smooth... are you going for the rougher look? Im personally a sucker for the mega contrast from rough rusty metal to ultra finished w
ood stuff...
Looking forward to the rest!
JP
As always Mr. Forge, you like to push me to define convention and risk getting flamed in a ball of fire for voicing my methods. Challenge Accepted.
It is "convention" to only sand to 180 or 220 grit when working with wood so that we can "deal" with the grain and porous nature of wood. When finishing wood, the public likes a few things that I'm sure you will agree with - you want to see the grain "pop" and one doesn't want the wood to feel and look like plastic. The behind the scenes magic of the creator is that we want the wood sealed - we want to prevent warping and cupping and the wood doing this:

by evenly sealing all faces of the wood to
guide the drying/curing process. That leads me to my next point.
Wood has many pores - which is what makes it beautiful. If one sands much more than 180 or 220 grit one runs the risk of closing those pores up and preventing the finish (stain/dye/topcoat, etc.) from penetrating the wood. Not good.
Here's an example of what "over sanding" can do.
Top half 180, bottom half 600 grit.
Notice how the true stain color didn't get picked up in the bottom half.
There is a lot of gray area here that I'm leaving out like stains containing large particles (pigments) that don't "soak" into the wood vs. dyes that penetrate and blah blah blah. The intent here is that we don't want to clog the pores by sanding it to a slick finish. Instead we rely on the sealant coat to create the smooth (if desired) surface. With that said, you are right, sand away with those 600, 800 or higher
between coats of
certain finishes for that nice luster that you are after.
HOWEVER I will sand the end grain of wood, if it's exposed, to a higher grit (400 or so) than I will the long grain. Why? The end grain naturally soaks up more stain/dye than long grain as more pores are exposed and open. I counter that (attempt to, anyways) by sanding to a higher grit; and sometimes ill even using a pre-stain conditioner. The conditioner is just a clear poly usually thinned to 50% or higher that plugs some of the pores to combat over saturation. You don't want the ends to be darker than the rest - it's shameful.
This doesn't even scratch the surface regarding topics like water popping the grain and treating/curing blotchiness on woods like maple.
So, no, I'm not going for the rougher look. The finish will be as smooth as glass as I also like the contrast with the pitted metal. Modern meets vintage. I plan on 3 coats of the water clean up poly while sanding with probably 600 grit in-between coats (dry of course!).
It really is extremely beautiful wood. Great project!
Can't deny that. The grain really comes out with the finish on it. It's easy to look like you know what you are doing with this walnut.
I bought a country house a few years back with my now ex-wife. The previous owner had the home in their family from the day it was built (1910). The home had all of its plaster removed for insulation when the owner was growing up. He mentioned that it was impossible to drive a nail in the solid walnut studs. Walnut studs?! Sure enough, every stick of lumber in the home is black walnut. The 6+ acre property is still littered with very large and healthy black walnut trees. I always dreamed of finishing the floor joists when I walked through the basement. That house, along with the wife, is now gone!
Joe
Doh! That is amazing though. Too bad we can't take it apart piece by piece! Worth a fortune today!