Most of the studio shots (white background) and photos in the shop are taken with a Nikon D60 body with AF-S Nikkor 18-70mm lens. I used to lug this along on rides if you can imagine... Once in a blue moon I will now if I have something specific I need for a graphic or catalog. All corrections that are needed are done in Photoshop v5.5.
Here's a shot taken with that camera / lens combo in color, but turned to black and white in PS: (to date, I think this is one of my best self portraits while welding-lucked out on that one)
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I recently upgraded my iTouch to the newer version which for it's size and resolution takes some great pics. I use an app called "Snapseed" for photo correction/manipulation. The two photos of the ride in the snow via fatbike were taken with the iTouch. Much easier to carry in a pocket instead of lugging a hydration pack. Here's an example of a shot from the iTouch and then manipulated using the app Snapseed using the options: Tune Image (allows for contrast, saturation, brightness etc type changes0, Tilt-shift (gives the edges a fuzzy feel/out of focus look), and Center Focus (allows you to adjust a few aspects but it puts emphasis on where you want the viewers eye to fall):
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Since a race, I've switched to water bottles as it's just simpler as the majority of my rides are about 1 hr. Anything that happens... it is what it is. I carry a spare, tire iron and pump. Anything past that, if I can't fix it with my bare hands I'm walking. Longer rides I will carry a hydration pack which allows for more "stuff". I will make a small tool roll though I think for the saddle so I can carry a multitool and patch kit. I am tubeless on all my bikes with the exception of the fatbike, and to date, I've put holes in tires 5 times that the sealant would not seal up for this season alone. Maybe it's the granite or bad luck, but flats are still a "thing" for me. So a tube has come in handy more than once.
But getting back to photographs/cameras, it's all about the lens quality. With the digital camera's we have now, the ability of the camera to capture information is even greater giving you a greater range of colors and information to tune your shots. Smaller point/shoot cameras are great to a certain level, but for real clarity and purity, you get what you pay for as they say. I have my eye on an upgrade in the new year for this camera body. More Megapixels...
A few recent shots off the Nikon D60:
Finished a few tools:
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But as a side note, you can plainly see in a bunch of the shots that white balance is a problem. For money's sake, I have CFL bulbs in my overhead lights. They cast a light that is incredibly difficult to shoot / compensate for... I've considered getting incandescents JUST for the sake of the "look" of the photos. Also the type of light that they give off while working isn't that same glow of incandescents and fluorescent tubes actually are a bit easier to shoot under (some of my earlier shots had a richer feel to them because of the temporary lighting I was using!). Anyway, it's all fun no matter how you spin it. A good challenge. Till next time, enjoy.
Also, is there a reason for placing the down tube so close to the top top be where they meet the head tube (essentially further up the head tube from the lower headset cup)? Seems like it'd be more susceptible to buckling especially with the leverage generated by the taller dirt forks and the forces associated with riding off road or even stopping hard. Apparently it is not an issue due to all your testing and I understand these aren't free ride frames. In my experience head tube junctions are generally a weak spot. I just wonder if it would be worthwhile to put the down tube as low as possible.
@44,
Im looking to build myself a road frame, just to try.
Any resources that you would recommend to beginner frame builders? Websites, articles etc.
Cheers
Thanks for the kind words. Good to hear it's an inspiration. The reason for marching the down tube a bit up the head tube on mountain bikes which sport suspension forks is to clear the fork's crown and adjustment knobs. That's the basic reason and that distance is typically in the .75-1.00" range. I don't like to use gussets because where the gusset ends, you're basically telling the tube where to fail and if you've seen a lot of frame failures via the web, many buckle/crack right where the gusset ends. The majority of my down tubes are 1.5" in diameter which is a pretty large pipe. But you are correct that the down tube should be as far down the head tube as possible, but clearances must also be balanced so the fork's crown and knobs does not hit the down tube if the bars spin in a fall.
Paragon Machine Works for small parts, bottom brackets, head tubes, braze-on's, dropouts etc. Tubing suppliers are Nova Cycles, Henry James for True Temper, Columbus, Reynolds, and Pacenti to name a few. Henry Hames and Nova also supply lugs, bottom bracket shells and braze-ons as well. Wicks Aircraft, Aircraft Spruce and a few others offer 4130 Steel aircraft tubing in a large selection of seamless tubing profiles / diameters / wall thicknesses.
For how to's and such, Richard Sachs has a section on his website which has a list of links for "how frames are made" where he gives you links to see how other builders go through their process. My own is here via flickr. each image has a description and reads like a book with steps. Also some of the websites have Frame Builder sub-forums. MTBR has one. My preferred one and one that I contribute to often is Velocipede Salon. Very knowledgeable people there. But go in being informed if you are asking questions. Basically do some homework before you ask any questions as there is a lot of information out there on the basics and many threads on the basics.
Also many of the prominent builders have a how-to section on their site, maybe not an actual how to, but a picture thread from start to finish of a bike. Many do this on their blog, flickr or tumblr too.
Also, it would depend if you are building lugged to start or if you are going to tig weld your first frame. Both methods progress the same in a way, but different processes need to be taken into account for both.
There are a few books on the basic methods, but I'd say the best one is The Paterek Manual.
Thanks for taking the time to write this for me.
Being that I have a TIG welder but no torches (at the moment) I plan to TIG weld the frame.
What tips would you have for TIG frames? I assume its mostly heat management and warping, but fill me in!
Cheers,
M
Did I see a 44 bike on the paypal login page today?

That's possible. Was it one of those ads where they tune it to your viewing preferences or something? I'm not associated with them in any way other than having an account like many others.

Ok dude what do you use for feeler rod on those beautiful welds and how far do you hang that tungston out. And while i am asking do you use hole saws to fishmouth your tubing just damn nice work.
Ok dude what do you use for feeler rod on those beautiful welds and how far do you hang that tungston out. And while i am asking do you use hole saws to fishmouth your tubing just damn nice work.
It shows in some earlier pics of Kris using hole saws in his mill to notch the tubing. My question, as I have never had success using a hole saw on thin wall tube: Is it the stability and speed control of the mill that lets you use hole saws, or have you gotten some very fine tooth holesaws, Kris? I notch a lot of DOM, .090" to .125" wall using a tubing notcher and Starrett bi-metallic holesaws and it works great but thinwall is a pain. My notcher has a 2"x3"x4" aluminum block with bronze sleeves supporting a 1" machined shaft to fasten and drive the holesaws with a 1/2"drill. The frame is 1/2" steel plate. It seems solid, but.....


See above but I'll add with any step you want as rigid a setup as humanly possible. The more mass the tooling has, the more it will soak up any vibration. The basic concept of working at the mill on any part is you want to use the mass of the head and the machine to your advantage. So you want the tool to be as close to the head and the workpiece as possible. Some situations you just can't avoid it, but you want to eliminate any possible means of vibration or chatter. Spindle feeds and speeds are critical especially on anything thin walled if you're doing a mitering operation (or coping I know some call it that). Hope that helps!
Thanks, Kris. Where do you source your fine tooth holesaws? I have not found anyone here in Phoenix that has any in stock( I must admit I have not checked with McMaster-Carr, who seem to have everything I can't find elsewhere) and all my racecar chassis builder friends laugh at me when I mention using a holesaw, as they all use huge endmills .
I assume feeler was meant to mean filler? .035" Weldmold 880T filler in most situations and in others I will use ER70S D2 .035" filler in some others.
Why D2? I'm surprised you don't use something in the stainless. I'm really trying to figure out how you get the "stacked" effect on your welds??? So consistent and precise. Amazing!