OP
aggierailroad
Well-known member
Not much to it this weekend on account of being out of town, but I did get a decent start on the french polishing process. What a pain in the ****.
Here's the bottom of the box with one coat of amber shellac. To retrace all of the steps for the bottom: Sanded, 180-220. Once coat of wipe on walnut grain filler. Sanded 320-400. One wet coat of about a 1.5lb cut of amber shellac.
Here is the top, same process, only with three coats of the grain filler. 1 heavy, 1 medium, then one very reduced skim/glaze coat. If you are familiar with body work, it is the equivalent in both texture and quantity of using a high end glaze like Evercoat. Sands quickly, but will clog the higher grits.
2nd coat of shellac, a'la French Polish. The principal behind the "French Polish" is to rub and buff out the finish while you are applying it. Shellac is organic and dissolves into high proof alcohol, which is also it's carrier. You essentially take a pad (fine linen or cotton) wrapped tightly around a wool filler and rub on (with moderate pressure) the shellac. On the second coat you also dab on a few spots of mineral oil to lubricate the pad, and you keep dribbling on high proof alcohol, my preference being Everclear. No lie, it's cheap and has a high enough alcohol content to work great, along with being contamination free.
Keep burnishing in the shellac, applying a dab more here and there and let the alcohol melt the layers together. Eventually, you get that high gloss sheen.
The amber color gives it that nice, rich glow. I'll probably keep the cuts lighter and lighter from here on to keep up the gloss but not add much more color.
In other news, went into high production mode and made a jig to drill 1/2" holes 1 1/2" apart.
These are for the magnetic knife blocks that will be coming to a store near you... (www.doghouseforge.com)
Drilled into basswood - a pain in the **** to finish (it turns weird colors) but it is widely used for its ability to be carved. All of the old church altar carvings are generally basswood. As you can see, it planes quite nicely.
Here's the bottom of the box with one coat of amber shellac. To retrace all of the steps for the bottom: Sanded, 180-220. Once coat of wipe on walnut grain filler. Sanded 320-400. One wet coat of about a 1.5lb cut of amber shellac.
Here is the top, same process, only with three coats of the grain filler. 1 heavy, 1 medium, then one very reduced skim/glaze coat. If you are familiar with body work, it is the equivalent in both texture and quantity of using a high end glaze like Evercoat. Sands quickly, but will clog the higher grits.
2nd coat of shellac, a'la French Polish. The principal behind the "French Polish" is to rub and buff out the finish while you are applying it. Shellac is organic and dissolves into high proof alcohol, which is also it's carrier. You essentially take a pad (fine linen or cotton) wrapped tightly around a wool filler and rub on (with moderate pressure) the shellac. On the second coat you also dab on a few spots of mineral oil to lubricate the pad, and you keep dribbling on high proof alcohol, my preference being Everclear. No lie, it's cheap and has a high enough alcohol content to work great, along with being contamination free.
Keep burnishing in the shellac, applying a dab more here and there and let the alcohol melt the layers together. Eventually, you get that high gloss sheen.
The amber color gives it that nice, rich glow. I'll probably keep the cuts lighter and lighter from here on to keep up the gloss but not add much more color.
In other news, went into high production mode and made a jig to drill 1/2" holes 1 1/2" apart.
These are for the magnetic knife blocks that will be coming to a store near you... (www.doghouseforge.com)
Drilled into basswood - a pain in the **** to finish (it turns weird colors) but it is widely used for its ability to be carved. All of the old church altar carvings are generally basswood. As you can see, it planes quite nicely.



) first. Ideally, for me, the mortises first is best because it's easier to layout your lines. However, unless your wood is perfectly dimensioned, this can get you into trouble. Because of the tight tolerances and large number of parts on these small mirror frames, I opted to do the tenons first and use them as a guide for marking the mortises.