Full Polish era tools are beautiful. Their stark aesthetic flows from the utter elimination of any ornamental flourish. Every feature (radiused edges for chrome retention, for instance) is present for a legitimate functional reason. In their careful balance of function and fit in the human hand, they resemble surgical instruments, which in a way they are.
My main focus is collecting old Bonney, older the better. Four eras I find unappealing are forged-in Made In USA (late nineteen-teens), parallel-shank Bonalloy (late nineteen-forties), Outline (early nineteen-sixties), and whatever you want to call what Cooper did...maybe “Decline” (late nineteen-nineties). If the history of tool design is a quest for the peak of perfection, and each redesign a stage along the way, then they are hesitant minor advances toward the Full Polish summit. Abandoning it to heed the siren song of profit margins was precipitous. (mixed metaphor)
What do you call textured finish tools contemporary with Full Polish?
“Half Polish?”