Robert, Great work!
Concerning my welding, when I started my project I had no welding experience with MIG. I thought all of the issues I was having was me and my technique. I tried to mimic your work with no success.
Turns out after burning through a 2 lb roll of wire that my boss got me from "Advanced Auto Parts" my welds looked no better, had little penetration and I had to grind my backside off to make them look decent..
Well after using an entire spool of wire, I went to a local welding supply house and I picked up a new roll of the same spec wire size, grade etc... and what a difference it made..
Beautiful welds, nice penetration, no holes in them and easy clean up... Boy did I learn a valuable lesson... Don't buy crappy wire...
My welds look as good as... well I'm trying to make my fits look like yours!
Thanks again for all the information you freely give out, I appreciate it!
Am I looking at things wrong, or does the head of the shear rotate 90 degrees?
I love your selfie-stick brush mod!

As I'm getting closer to transition to the next phase of my project car, I wonder if you would be willing to elaborate more on the 'block sanding' phase? For instance when sanding I assume you start with more course grit, but when you come across 'highs' or 'lows', do you 'bump' the metal to correct? Once done, there do you re-spray the epoxy and move on to a finer grit and repeat?
What are the instances where you use the Evercoat 416 and if so, why? Unable to access both sides to bump metal?
Sorry for perhaps trivial questions, but wanting to learn and do as much as possible to make this a true 'garage built' car.
--Gary B.
Current Project: 1971 Olds Cutlass Supreme
Is there a limit to the number of repetitions? In other words, at some point is the primer too thick (for example to handle stone chips, etc)?
I'll second this, my trade school teacher was a hard ***, if he caught us with a key in the chuck and our hands weren't still touching it, we were off the lathes for the rest of the day.![]()
Robert....I just popped in to get caught up. And as usual, FANTASTIC work. I saw this picture and just wanted to comment. And I know that you know better and just did this for picture purposes, but for others that are new to lathe work, and have their own lathes at home.....NEVER EVER leave a chuck key in the chuck of a lathe. It is so easy to forget about it and turn the lathe on. In doing so, you can damage the lathe, and most importantly, you can damage yourself. I have seen old time toolmakers make the same mistake, damaging the bed way, and one managed to fracture his wrist when the chuck key hit him.
I just wanted to mention it, and in no way am I busting your chops. I just want to make others aware. I cringe whenever I see a chuck key in a lathe.
So, the bottoms of the beads are in "free air" with the depth set on the power hammer and the shape defined by the punch. Apparently, the indexing speed prevents ripples in the bead and the MDF provides enough clamping that you don't get panel distortion and the beads are pure stretch. As a bonus, your tooling is good for left and right parts. I really love your posts. Thanks for taking the time to show how you do stuff.
Robert....I just popped in to get caught up. And as usual, FANTASTIC work. I saw this picture and just wanted to comment. And I know that you know better and just did this for picture purposes, but for others that are new to lathe work, and have their own lathes at home.....NEVER EVER leave a chuck key in the chuck of a lathe. It is so easy to forget about it and turn the lathe on. In doing so, you can damage the lathe, and most importantly, you can damage yourself. I have seen old time toolmakers make the same mistake, damaging the bed way, and one managed to fracture his wrist when the chuck key hit him.
I just wanted to mention it, and in no way am I busting your chops. I just want to make others aware. I cringe whenever I see a chuck key in a lathe.
I'll second this, my trade school teacher was a hard ***, if he caught us with a key in the chuck and our hands weren't still touching it, we were off the lathes for the rest of the day.
Nothing like having the right tools for the job and knowing how to use them! Excellent job! Keep it coming.
Thanks Mike. I have a "regular" set of beading dies for the Lennox, but the lower die prevents you from crossing any other beads. This method removes that limitation.. and can be done with hand tools!
Robert,
After Kyle tacks the strip he runs a nearly continuous bead with the TIG to finish it off. How come there is no warping? Is it because of a low setting on the TIG?